April 2004

J.S. Bach
St John Passion

Unlike the Beethoven 9th Symphony which we enjoyed earlier in the series, the St John Passion is a work for which an English version exists. Furthermore, there is an excellent version available in English and at a modest price. This is the 1971 recording conducted by Benjamin Britten available on a Double Decca 443 8592. The orchestra is the English Chamber Orchestra. Peter Pears sings the part of the Evangelist and leads an all star cast of the great and the good. An excellent choice if you need it in English.

Of the other recordings in German, there is a performance on Naxos from Edward Higginbottom and the Choir of New College, Oxford available at just under the ten pound mark on 8557296-97. This recording was awarded the Gramophone Editor’s Choice accolade on its release and also picked up a glowing recommendation in the Guardian as “an outstanding period performance that can stand comparison with any in the catalogue”. This recording uses all male soloists and has generally fast tempi.

Also at budget price is the Andrew Parrott recording with the Taverner Consort on Virgin Classics. Here the choir is small, two voices to a part. Speeds are mostly on the fast side. Described as “an intimate performance that yet has sharp focus and plenty of power” this recording is on VBD 5520192.

At full price we find John Eliot Gardiner in his “exhilarating” recording for DG with the Monteverdi Choir and the English Baroque Soloists on 4193242. He brings authenticity to the work through small scale forces and period instruments. Certainly a recording which will please many.


Bizet
L’Arlesienne Suite No 1

The Naxos recording of this work brings together both L’Arlesienne Suites and the two Carmen Suites on 8550061. Two mid price recordings, both recommendable, stand out. Besides Beecham (CDM 567 2312 - one of EMI’s Great Recordings of the Century) with the RPO, there is the Decca recording from Dutoit and the Montreal SO on 466 4212. It boils down to the choice of couplings; Dutoit presents the 2 Carmen Suites, whereas Beecham offers the Symphony in C.

Tchaikovsky
Piano Concerto No 1

There is a choice of recordings on Naxos; one has the First Piano Concerto and the Third on 8550819; the other includes The Tempest as well as the Polonaise and Waltz from Eugene Onegin (8550137). There is also a 1930’s recording on the Naxos Historical label featuring Solomon accompanied by the Halle under Hamilton Harty 811 0680. There are two recordings of this work which stand out from the crowd. Both are live performances and coincidentally both are coupled with the Rachmaninov 3rd Concerto. The newer of the two comes on the Philips label and features Martha Argerich accompanied by the Bavarian Radio Symphony Orchestra under Kondrashin in an adrenaline filled rendition dating from October 1980. No less exciting is the performance from Vladimir Horowitz in a 1940 recording from the New York Philharmonic Symphony Orchestra under John Barbirolli in Carnegie Hall on APR5519. Admittedly the sound quality is inferior, but what a performance!

Mussorgsky (orch Ravel)
Pictures at an Exhibition

One of the recent highlights on Naxos has been the appearance of the National Symphony Orchestra of the Ukraine under Theodore Kuchar in an all Mussorgsky programme 8555924. As well as Pictures, we get both the original St John’s Night on the Bare Mountain as well as the more familiar Night on the Bare Mountain. The whole CD is a delight from start to finish; magnificent playing, coupled with excellent sound quality.
At mid price the 1966 recording from Karajan and the Berlin Philharmonic in DG’s Originals series is both a fine recording and a great performance (447 4262). The other works on the CD are Debussy’s La Mer and Ravel’s Bolero.
Those of you with SACD players might want to explore the Sony SACD SS89414 which has superb playing from the Cleveland Symphony Orchestra under George Szell (and also includes the first suite from L’Arlesienne).

Bax
Tintagel

In recent months Naxos have released a recording of this work coupled with the 7th Symphony in a performance by David Lloyd-Jones on 8557145. I’m sure that many will enjoy this as much as I have. However there is an older recording which surpasses it; the 1965 recording from Sir John Barbirolli and the LSO, in a mid price coupling with the Vaughan-Williams 5th Symphony on EMI CDM56521102.

Mahler
Lieder eines fahrenden Gesellen

On looking through the Penguin Guide, I see that one singer has recorded these songs twice, each time picking up a Penguin rosette. Although the Naxos recording with Bernadette Greevy on 8554156 is a good choice for the orchestral version and Dietrich Fischer-Dieskau with Leonard Bernstein a good choice for the piano version ( Sony Mid-Price on SMK61847), the honours go to Dame Janet Baker. The choice is either the orchestral version with Sir John Barbirolli on EMI CDM5669812 or the piano version from Hyperion accompanied by Geoffrey Parsons (CDH55160). Hyperion inform me that this is shortly to be reissued at budget price on the Helios label.

Elgar
Symphony No 1.

According to John Adams last year, the Halle practically own this symphony. Certainly it is a work they have recorded on several occasions. One of the most memorable of these was Sir John Barbirolli’s Kings Lynn performance on July 24th 1970. It was his last concert with his beloved Halle; the inspirational performance is available on BBC Legends BBCL 41062.
One recording of more recent vintage comes on the budget LSO Live label LSO0017 with Sir Colin Davis at the helm. This is among my favourites, however the opening andante tempo is rather controversial - even slower than James Loughran’s ASV Quicksilva account (not currently available).
If you have enjoyed tonight’s bread and butter offering from Mark Elder and the Halle, then why not wait a little while for the jam of their recording of the work on CDHLL 7500, a recording on their own label. The symphony was recorded on September 11th 2001, a session of extraordinary intensity. According to Mark Elder:
“We had to try and put our emotional concern, energy and sense of incredible anger, our sadness and fear to one side. As a result the symphony has a marvellous atmosphere to it.”
The Halle have also now recorded the Second Symphony by Elgar and this is now available.

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